{"title":"Alt \u0026 Indie","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eDiscover the best in \u003cstrong data-start=\"21\" data-end=\"71\"\u003ealt and indie music on vinyl\u003c\/strong\u003e with our carefully curated Alt\/Indie collection. From iconic alternative rock albums to classic 90s, modern indie pop, or experimental sounds. Browse our Alt\/Indie selection and find your next favourite album today. Don't see what you're looking for? Drop us a line and we'll get it in for you.\u003c\/p\u003e","products":[{"product_id":"evan-dando-baby-im-bored","title":"Evan Dando - Baby I'm Bored","description":"\u003cp\u003eEmerging after The Lemonheads disbanded Evan Dando returned to music first with a solo tour and Live At The Brattle Theatre'then came his debut solo album Baby I'm Bored'.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eMature and autobiographical, Baby I'm Bored'is a stellar record that stripped Dando of his grunge label. At the time of recording, he was without the band which saw him lean more towards an achingly melodic alt-country rock sound. Self-deprecating, these are songs of decline and coming back from that.\u003cbr\u003e\u003cbr\u003eThe record includes 'Hard Drive' and 'All My Life' two tracks penned by Ben Lee and features contributions from producer\/composer Jon Brion, producer Bryce Goggin, Tom Morgan, Giant Sand's Howe Gelb, Calexico's John Convertino and Joey Burns, ex-Spacehog frontman Royston Langdon, Come's Chris Brokaw and Arthur Johnson.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDouble yellow vinyl LP, single sleeve, printed inners, download card included.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2CD Book-back with 24 page book.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fire Records","offers":[{"title":"Compact Disc","offer_id":45151280234808,"sku":"809236143822","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/Evan_Dando_-_Baby_Im_Bored_1024x1024_5c72cdf4-e50f-4299-871a-0447743ef9b0.jpg?v=1683782392"},{"product_id":"evans-the-death-vanilla","title":"Evans The Death - Vanilla","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eLondon five-piece Evans the Death return with Vanilla, their most ambitious and experimental album to date, eschewing the more traditional pop structures and hooks of their first two albums, 2012's self-titled debut and 2015's critically acclaimed Expect Delays. While Expect Delays was a step towards something more interesting, more collaborative, experimental and abrasive - a bleak, introspective kind of album that still retained a pop sensibility - Vanilla sees the band veer in an ever more adventurous direction: more aggressive, extroverted and raw.\u003c\/p\u003e\n\u003cp\u003eNamed after the undertaker in\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDylan Thomas\u003c\/strong\u003e'radio play, Under Milk Wood, the band was formed by brothers\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDan\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eOlly Moss\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eafter meeting singer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eKatherine Whitaker\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eat a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLet's Wrestle\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eshow. After numerous line-ups, the band is now completed by\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eJames Burkitt\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon drums and\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDaniel Raphael\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eon bass. The new album was recorded at\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eLightship95\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein London with producer\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eRory Attwell\u003c\/strong\u003e, who worked on both of their previous records. Highly variegated in style and mood, brimming with extreme contrasts, from noisy to funky to melodic, energetic to dejected, full of chaos and restlessness, the album was the result of a carefully planned recording strategy, as\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDan Moss explains\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e'We deliberately booked very little time in the studio, and we pretty much did everything live, together in the room - there was no trying to fix any mistakes. What you hear is very close to what we did in that moment - so technically, while it isn't overly polished or slick, it's a very high fidelity recording - an accurate reproduction of the original source. I think that gives it more of an urgency and honesty than the first two. We decided to limit ourselves to 8 tracks and this meant we were restricted in how much we could alter things after recording, and the amount of overdubs we could do - which is what we wanted.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWith no specific musical reference point, the songs on Vanilla veer wildly in style, lending a real energy and vitality to the flow of the album. There's the psychedelic snarl of 'Haunted Wheelchair' built around dissonant, ominous, jazz-like chords, which build a sense of dread and paranoia but also a strange excitement.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eDan explains:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e'I wasn't getting enough sleep. Then before recording the song, while on my way to a party I got assaulted out of the blue, and I had to have surgery for a broken jaw. I used that incident to hang the lyrics on, but really it's about that strange feeling I was already having anyway.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThere's also the no-wave party vibe of 'Suitcase Jimmy', a semi-improvised portrait of a fictional down-at-heel actor built around a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eWilko Johnson\u003c\/strong\u003e-ish guitar part. 'Hey! Buddy' is an\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e'unintentionally mean-spirited'\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003easkew pop tune from the point of view of a cloying and over-zealous fan of the band. While the wartime dancehall of 'Cable St. Blues' is an odd duet between two parts of the psyche, representing\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e'an argument you have with yourself, about depression and extreme self-criticism and self-doubt, struggling to function'\u003c\/em\u003e, and named after the site of the 1936 riots where the band wrote the album.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e'I wanted the end to sound like a New Orleans jazz funeral',\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esays Dan.\u003c\/p\u003e\n\u003cp\u003eNewest member Daniel Raphael's present to the band, 'Hot Sauce' is led by a groovy, capacious bassline, while Olly's 'Armchair Theatre', the quietest, prettiest song on the record, starts out like a soft rock classic and turns in to a gorgeously mournful song with the lyric\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e'I took you to the park \/ kickin'through used Johnnies and dry leaves'\u003c\/em\u003e. And 'Welcome to Usk' drews on\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eEnnio Morricone\u003c\/strong\u003e's spaghetti western soundtracks and parts of\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVivian Kubrick\u003c\/strong\u003e's score for\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eFull Metal Jacket\u003c\/strong\u003e, with a banging disco section thrown in for good measure.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e'When we first got this song right I got so excited I threw up my dinner', says Dan. 'It has three different time signatures!'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eA dark, howling, ragged storm of an album, impossible to categorise, Vanilla is anything but - a far cry from the bland, unimaginative music that pervades the airwaves. It is a brittle, brilliant new chapter in the story of a band who never fail to surprise.\u003c\/p\u003e","brand":"Fortuna Pop","offers":[{"title":"LP - Black Vinyl","offer_id":45151280431416,"sku":"5060044172779","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/FPOP197_1500px_300dpi_Cover_1024x1024_42537dd3-c094-4f2d-8b45-ecd8d7d94290.jpg?v=1683782493"},{"product_id":"lola-colt-away-from-the-water","title":"Lola Colt - Away From The Water","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e'Away From The Water' is the highly anticipated debut album from London six piece Lola Colt. Produced by Bad Seed Jim Sclavunos.\u003c\/p\u003e\n\u003cp\u003eHailed as one of London's most exciting and captivating live bands by fans and critics alike, this six-piece have been taking audiences by storm. Their shows have been described as \"a spellbinding and dramatic experience with both sonic and visual intensity\" and they make certain every show feels like a special event.\u003c\/p\u003e\n\u003cspan\u003eCrystallising their breathtaking live experience into physical form has been an intense and challenging experience as Matt explains \"Our music is pure escapism and the thought of recording it felt strangely like trying to put up walls around a dream. What we strived to create is a timeless record that takes the listener on a journey to a different place with each listen\".\u003c\/span\u003e","brand":"Fuzz Club Records","offers":[{"title":"LP - Black Vinyl","offer_id":45151284494648,"sku":"5060366781260","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/Lola_Colt_away_from_the_water_album_cover_1024x1024_c624dd70-2866-4ebb-b848-7488738306ae.jpg?v=1683783249"},{"product_id":"mind-over-mirrors-bellowing-sun","title":"Mind Over Mirrors - Bellowing Sun","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA twelve-faceted so nic inquiry into celestial cycles and the illuminating nature of darkness, Bellowing Sun is the majestic culmination of composer, harmoniumist, and synthesist \u003c\/span\u003e\u003cstrong\u003eJaime Fennelly\u003c\/strong\u003e\u003cspan\u003e's immersive explorations of the natural world's sensory dimensions and the dialogues between musical traditions'acoustic and electronic, vernacular and avant-garde.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCommissioned by the Museum of Contemporary Art Chicago for its world premiere performance, and recorded and mixed by \u003c\/span\u003e\u003cstrong\u003eFennelly\u003c\/strong\u003e\u003cspan\u003e with \u003c\/span\u003e\u003cstrong\u003eJohn McEntire\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cstrong\u003eTortoise\u003c\/strong\u003e\u003cspan\u003e), it features \u003c\/span\u003e\u003cstrong\u003eJanet Beveridge Bean\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cstrong\u003eFreakwater\u003c\/strong\u003e\u003cspan\u003e), \u003c\/span\u003e\u003cstrong\u003eJim Becker\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cstrong\u003eIron and Wine\u003c\/strong\u003e\u003cspan\u003e), and \u003c\/span\u003e\u003cstrong\u003eJon Mueller\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cstrong\u003eDeath Blues\u003c\/strong\u003e\u003cspan\u003e).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA twelve-faceted sonic inquiry into celestial cycles, the rhythms of the natural world, and the illuminating nature of darkness, the accompanying album Bellowing Sun is the majestic culmination of Fennelly's immersive explorations of the natural world's sensory dimensions and the dialogues between musical traditions'acoustic and electronic, vernacular and avant-garde.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe solitary compositional genesis of the piece, and a significant portion of its early recording (before tracking and mixing sessions with \u003c\/span\u003e\u003cstrong\u003eJohn McEntire\u003c\/strong\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cstrong\u003eTortoise\u003c\/strong\u003e\u003cspan\u003e), occurred at Bean's home atop a dune of fine quartz 'singing sands' on the shore of Lake Michigan. Sonically, Bellowing Sun is both kaleidoscopic and telescopic in nature, offering a radiant palette of rhythmic, textural, and tonal complexity, as well as rapid shifts in scale, from the intimately corporeal to the dizzyingly cosmic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll four J's'Jaime, Janet, Jim, and Jon'appeared together on Undying Color, but have since solidified into a formidable, cohesive unit, a true band capable of increasingly expansive arrangements. Though divided into twelve movements, or aspects'zodiacal sectors, perhaps'the piece functions as a heroic, integral whole.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album's sequence reveals a dynamic push and pull between contemplative stasis and headlong momentum, imparting a palpably physical mass to the cataracts of sound. Bean sings on half of the tracks, including early stunner 'Matchstick Grip' and the spectacular closer 'Pause to Wonder.' Whether articulating words or intoning phonemes, her powerful, lucent voice elevates the proceedings to a devotional plane whenever it emerges from the saturated field of sound.\u003c\/span\u003e","brand":"Secretly Canadian","offers":[{"title":"Compact Disc","offer_id":45151288525112,"sku":"616892530442","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/Mind_Over_Mirrors_-_Bellowing_Sun_1024x1024_6d717fa6-401e-4955-b52f-9750a1335e0e.jpg?v=1683783530"},{"product_id":"pains-of-being-pure-at-heart-higher-than-the-stars","title":"Pains Of Being Pure At Heart - Higher Than The Stars","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNot content to rest on the laurels of having one of the best and most talked-about albums of 2009, The Pains of Being Pure At Heart are back with Higher Than The Stars, four brand-new songs that do what the band does best – breathe fresh life into indie-pop with exuberance, charm and of course quality tunes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFrom the New Wave-flavored bliss of \"Higher Than The Stars\" to the crashing power-pop of new live favorite \"Twins,\" this EP is both a perfect summation of what The Pains are all about and a signpost to the future. Fizzy noise-pop is present and correct in the form of \"103,\" and the band switches gears a bit for the brooding 80s-esque \"Falling Over.\" Also included on the CD is the \u003c\/span\u003e\u003cstrong\u003eSaint Etienne\u003c\/strong\u003e\u003cspan\u003e Visits \u003c\/span\u003e\u003cstrong\u003eLord Spank\u003c\/strong\u003e\u003cspan\u003e Remix of the title track.\u003c\/span\u003e","brand":"Fortuna Pop","offers":[{"title":"Compact Disc","offer_id":45151289737528,"sku":"5060044170676","price":4.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/Pains_Higher_hi_res_1024x1024_9426051c-8c83-473f-996f-4c5e8e8091d7.jpg?v=1683783649"},{"product_id":"sleaford-mods-eton-alive","title":"Sleaford Mods - Eton Alive","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSleaford Mods are one of the most important, politically charged and thought-provoking duos currently making their mark on the UK music scene and beyond.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThey are now poised to release their fifth studio album entitled Eton Alive'in February 2019. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe new album, which features 12 new tracks from the prolific artists, was recorded in Nottingham. The record will be the first release on Jason and Andrew's newly formed label Extreme Eating'and their first album since parting ways with Rough Trade Records. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e'Eton Alive speaks for itself really. Here we are once again in the middle of another elitist plan being digested slowly as we wait to be turned into faeces once more. Some already are, some are dead and the rest of us erode in the belly of prehistoric ideology which depending on our abilities and willingness, assigns to each of us varying levels of comfort that range from horrible to reasonably acceptable, based on contribution.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSo after the digestive system of the Nobles rejects our inedible bones we exit the Arse of Rule, we fall into the toilet again and at the mercy of whatever policies are holding order in the shit pipe of this tatty civilisation. It is here our flesh regenerates as we rattle into another form, ready, and ripe for order'.  - \u003c\/span\u003e\u003cstrong\u003eJason Williamson\u003c\/strong\u003e\u003cspan\u003e Eton Alive'\u003c\/span\u003e","brand":"Extreme Eating","offers":[{"title":"Compact Disc","offer_id":45151292064056,"sku":"5060446123072","price":5.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/sleaford_mods_Eton_Alive_EE001_COVER_1024x1024_0546982b-cf17-4dbb-a19c-917b3f91c553.jpg?v=1683784169"},{"product_id":"tess-parks-anton-newcombe-tess-parks-anton-newcombe","title":"Tess Parks \u0026 Anton Newcombe - Tess Parks \u0026 Anton Newcombe","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is the second full length album from Tess Parks \u0026amp; Anton Newcombe, the self titled album contains 9 tracks .\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e'Right On' is the only track that has been released before on the eponymous EP released earlier in 2018.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll tracks were recorded at \u003c\/span\u003e\u003cstrong\u003eCobra Studios\u003c\/strong\u003e\u003cspan\u003e, Berlin in 2017, the majority of the songs co written by Tess \u0026amp; Anton.\u003c\/span\u003e","brand":"A Records","offers":[{"title":"Compact Disc","offer_id":45151293047096,"sku":"5055869543088","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/AUK129LP_packshot_1024x1024_4a7a4173-271f-4c56-85ee-36f37b81829c.jpg?v=1683784361"},{"product_id":"the-lemonheads-varshons-2","title":"The Lemonheads - Varshons 2","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eThe Lemonheads\u003c\/strong\u003e\u003cspan\u003e follow up the critically acclaimed \u003c\/span\u003e\u003cem\u003eVarshons'\u003c\/em\u003e\u003cspan\u003e from nearly ten years ago with another eclectic collection of covers. Produced by director \u003c\/span\u003e\u003cstrong\u003eMatthew Cullen\u003c\/strong\u003e\u003cspan\u003e and mastered by \u003c\/span\u003e\u003cstrong\u003eHowie Weinberg (Beastie Boys, Nirvana, The Ramones)\u003c\/strong\u003e\u003cspan\u003e, their tenth studio album brims with the slowly-matured vocal of \u003c\/span\u003e\u003cstrong\u003eEvan Dando\u003c\/strong\u003e\u003cspan\u003e as he lures a host of personal faves to his melodic lair. He really has become one of the great expressive singers of our time. What they said about Varshons:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Gram Parsons, Wire, and GG Allin: You'd be hard pressed to find three more disparate rock acts, yet on Varshons'they all sound like the Lemonheads - boppy, overcast alt-rock delivered at a fast clip and sung in a whiskey tenor.'\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePitchfork\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVarshons 2'\u003c\/em\u003e\u003cspan\u003eis a hokey jukebox filled with unique versions of \u003c\/span\u003e\u003cstrong\u003eYo La Tengo, Nick Cave, The Bevis Frond, NRBQ, The Eagles, Paul Westerberg, The Jayhawks, Lucinda Williams and John Prine.\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLike Hank Williams slumped in his car between gigs, strumming and hollering, reasoning and weeping, humming it on over, Evan and his Lemonheads make every tune their own.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIncluding some obscure beauties like\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFlorida Georgia Line's Round Here',\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003eNatural Child's Now And Then',\u003cbr\u003eThe Eyes'raucous TAQN'and\u003cbr\u003eThe GiveGoods'gorgeous Unfamiliar'\u003c\/strong\u003e\u003cspan\u003e - a tune Dando penned with former \u003c\/span\u003e\u003cstrong\u003eSmudge\u003c\/strong\u003e\u003cspan\u003e man \u003c\/span\u003e\u003cstrong\u003eTom Morgan\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e","brand":"Fire Vinyl","offers":[{"title":"LP - Black Vinyl","offer_id":45151294783800,"sku":"809236153234","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/Lemonheads_-_Varshons_2_1024x1024_142dc654-02a2-40dd-a535-418c707e49b7.jpg?v=1683784702"},{"product_id":"the-lemonheads-lick-deluxe","title":"The Lemonheads - Lick (Deluxe)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLick is the third full-length album and the last to feature founding member Ben Deily. It was also the group's last independent label-released album before signing to major label Atlantic. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn odd mixture of brand-new, and considerably older, sounds, 1989s Lick brings together the output of several distinct recording sources: six brand new songs recorded with Minneapolis-based band friend and producer Terry Katzman, and a collection of older, B-side and never-released material originally overseen by producer and engineer Tom Hamilton.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe difficulties of writing and creating a new full-length album every year (Hate Your Friends and Creator were released in 1987 and 1988, respectively) are clearly in evidence on Lick. While the newest material (Mallo Cup, A Circle of One, 7 Powers, Anyway) hints at promising new song writing directions for both Deily and Dando, there's an almost valedictory sense of the past in the inclusion of versions of Glad I Don't Know and I Am a Rabbit (from the bands' first-ever, self-released EP), and the now-classic track 'Ever', a previously-unreleased tune from the original 1986 'Hate Your Friends' sessions. At moments, Lick almost sounds like an elegy for itself or an elegy for a band that has reached the end of the beginning.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlso audible in the heterogeneous songs are the tensions of line-up changes and inchoate, growing frustrations. After various band break-ups or threatened break ups (such as Dando's brief departure to play bass for Boston band the Blake Babies), the Lemonheads convened to record new material for Lick now featured Dando on drums, Peretz on bass, Deily on guitar (and piano, according to the album credits) along with the addition of long-time band friend and former member of TAANG! Label mates Bullet LaVolta, Corey Loog Brennan on lead guitar. And yet the frenzied, quasi-ironic hammer-ons of Corey's axe provide some of Licks most entertaining moments like the unaccountably-translated-into-Italian paen to 70s detective Ironside, Cazzo Di Ferro. (The songs music was originally composed by Brennan for his Italian punk band, Superfetazione.)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAfter the albums completion, Deily opted out of the subsequent European tour, before leaving the band permanently. Jesse Peretz stayed on to record their Atlantic records debut Lovey, but left after the supporting tour in '91. Since then, Dando has been the Lemonheads' sole permanent member.\u003c\/span\u003e\u003cbr\u003e","brand":"Fire Records","offers":[{"title":"Compact Disc","offer_id":45151294882104,"sku":"809236125828","price":11.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/Lemonheads_-_Lick_FIRECD258_1024x1024_76cab3b1-e0c8-4368-b5f1-0b097a6bbf3d.jpg?v=1683784605"},{"product_id":"les-imprimes-reverie","title":"Les Imprimés - Rêverie","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eBig Crown Records is proud to present the debut full length offering from Les Imprimés, Rêverie. The stirring and ethereal sounds of Les Imprimés have been making fans of anyone who hears them since their first 7” single hit the speakers. Morten Martens is the man behind the band. Born, raised, and working in Kristiansand, Norway, he keeps a low profile while making his heartfelt, highly infectious, and unique music. This album is a long time coming for Martens and it is sure to make him a name to be reckoned with. \u003c\/p\u003e\n\u003cp\u003eThe first thing you notice listening to Les Imprimés is the high level of musicianship. Martens plays nearly every instrument on the recordings and handles the production and arranging. He has been making records for decades, winning a Spellemann Award (aka, the Norwegian Grammy) in 2006 for producing a Hip Hop album as well as getting nominations across three other genres. While awards and accolades speak to the level of his talent, this new album really shows who he is as an artist on his own terms.\u003c\/p\u003e\n\u003cp\u003eMoving away from being a hired gun on the touring scene naturally led him to start doing more studio work. Slowly collecting gear and getting more experience behind the boards he built his own studio on the island of Odderøya and was making a living playing with and recording other people's music. As the story goes, after those sessions would end he would work on his own project into the wee hours of the night. From these late night sessions, Les Imprimés was born and Rêverie began to take shape.\u003c\/p\u003e\n\u003cp\u003eHowever, \"it wasn't until COVID, when things locked down, that I was really able to find the time to focus on Les Imprimés\" Morten says about creating and leading his own solo project. \"It was a scary time. But I knew I had to do something with it.\" He took the sum of his influences, combined them with his own vibe and got busy writing the music, playing the instruments, and singing the songs. \"It's soul music, but I don't exactly have the soul voice,\" Morten explains humbly. \"But I do it my own way, in a way that's mine.\"\u003c\/p\u003e\n\u003cp\u003eIt is his sound, his fingerprint, his sensibility, that makes his music hard to categorize. He has crafted an album of songs with different energies that all fit together to make one gorgeous record. The lead single “Falling Away” starts with a raw drum break and turns into a lushly arranged tune that paints the picture of love when it slips away. On “Still Here” he professes his resilience through life’s twists and turns over a thundering track that puts a new spin on the B side ballad genre. Songs like “You” and “Our Love” mix tones from 60s and 70s Soul with arrangement nods to Doo Wop records while Martens’ lyrics and delivery leave you singing the melodies long after they finish. “Love \u0026amp; Flowers” finds Martens in a moment of clarity with a song that fits the niche sub genre of happy break up tunes, the four on the floor track will move the dancefloor while the message will resonate with anyone who put too much effort into the wrong situation in their lives. However, it is songs like “Muse” and “Chess” that really encapsulate the uniqueness of Les Imprimés as they push the boundaries of genre, one a profession of love for music and the other a cover of an electronic record respectively. Martens’ lyrics, emotion, and delivery truly make the whole thing come together and stand out from any of his peers. There’s an infectiousness and a pop sensibility in the writing that is done with the utmost class and taste giving Les Imprimés the rare quality of immediate attraction that only deepens the more you listen.\u003c\/p\u003e","brand":"Big Crown","offers":[{"title":"LP - Lucid Blue Vinyl","offer_id":45168482320696,"sku":"0349223013856","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/les-imprimes-reverie.jpg?v=1683872129"},{"product_id":"still-corners-strange-pleasures-10-year-anniversary-re-issue","title":"Still Corners - Strange Pleasures (10 Year Anniversary Re Issue)","description":"\u003cp\u003e\u003cstrong\u003eRelease Date 23\/06\/2023. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn celebration of \u003c\/span\u003e\u003cstrong\u003eSTRANGE PLEASURES\u003c\/strong\u003e\u003cspan\u003e turning 10, Still Corners are releasing a very special remastered 10-year anniversary edition on transparent green vinyl.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe album has been remastered by John Davis at Metropolis London, described by Jimmy Page (Led Zeppelin) as ‘a master of his craft’. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe anniversary edition includes all the album’s lyrics (for the first time) on a gatefold album sleeve, Strange Pleasures poster, digital download, including a bonus download ‘We Have the Future on Tape’.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOriginally released on Sub Pop, STRANGE PLEASURES has developed cult status since its release in 2013. Opening song, ‘The Trip’, captured people’s hearts with one YouTube video acting as a virtual community for like-minded fans around the world.  ‘Fireflies’ (Pitchfork, Best New Track), ‘Strange Pleasures’, ‘Beginning to Blue’ and ‘The Trip’ have been used across film and television since the album’s release.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10th Anniversary Edition features :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eTwo stickers on the outside of the vinyl, one large and another smaller one.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePrinted inner sleeve with liner notes and lyrics.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDownload code cards.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e10th Anniversary poster (18\"x24\")\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTransparent green vinyl LP with gatefold lyrics, poster, digital download code with bonus ‘We Have the Future on Tape’\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDigipak CD with lyric booklet\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFull album stream - \u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/cargorecords.us2.list-manage.com\/track\/click?u%3D9ed1b5da39fac0e4af51f43c0%26id%3D026ba178a7%26e%3Dbbbc5b3643\u0026amp;source=gmail\u0026amp;ust=1683820550114000\u0026amp;usg=AOvVaw1-pXZDNhN31scfBQfR-W96\" href=\"https:\/\/cargorecords.us2.list-manage.com\/track\/click?u=9ed1b5da39fac0e4af51f43c0\u0026amp;id=026ba178a7\u0026amp;e=bbbc5b3643\" target=\"_blank\"\u003ehttps:\/\/www.youtube.com\/watch?\u003cwbr\u003ev=aQJuGKT7mAw\u003c\/wbr\u003e\u003c\/a\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Wrecking Light","offers":[{"title":"LP - Transparent Green Vinyl","offer_id":45168533766456,"sku":"5055869550147","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/still-corners-strange-pleasures.jpg?v=1683872798"},{"product_id":"baxter-dury-i-thought-i-was-better-than-you","title":"Baxter Dury - I Thought I Was Better Than You","description":"\u003cp\u003eMusician, writer and Renaissance man Baxter Dury returns with a brand new album, ‘I Thought I Was Better Than You’, his seventh studio album.  The album is produced by Paul White, celebrated for his work in Golden Rules and with the likes of Charlie XCX and Danny Brown. Hotly tipped new singer songwriters Eska and JGrrey feature, in addition to Baxter’s regular vocalist Madeline Hart.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e‘I Thought I Was Better Than You’ marks a new era for Baxter, and with this new era comes a new character. “Faux-confrontational,”Baxter calls him. Here, not only is he recounting his childhood, buthe’s also reckoning with it. Instead of just swinging at his past blindfolded with a baseball bat, he talks openly about the toxic cocktail of being born into unfortunately fortunate circumstances, with a persuasive surname but no structure or sense of responsibility with which reap the rewards of it. \u003c\/p\u003e\n\u003cp\u003e“Really, it’s about being trapped in an awkward place between something you’re actually quite good at, and somebody else’s success.”\u003c\/p\u003e\n\u003cp\u003eThat ‘somebody else’ being his dad, Ian Dury. As one of the album centrepieces - ‘Shadow’ - agonisingly puts it: “But no one will get over that you’re someone’s son\/Even though you want to belike Frank Ocean\/But you don’t sound like him, you sound just likeIan.”  The record also serves as a kind of extension to Baxter’s 2021 book,‘Chaise Lounge’, in which he winningly recounted the story of his unique childhood. Not only does he expand the language of the book,using words to paint disconnected images rather than to string sentences (a kind of cockney hieroglyphics), but he often revisits moments within the book.\u003c\/p\u003e\n\u003cp\u003eCharacters like ‘Tricksy’ re-appear in‘Aylesbury Boy’ and ‘Pale White Nissan’, for example, but mainly it’s the abstracted tales of a young Baxter, troubled and in trouble, avictim of circumstance, straddling between a world of ‘Fuck you Leon…\/ You stole the sunglasses and I got busted’ and a desire for ‘Porridge in the morning and be normal’.\u003c\/p\u003e\n\u003cp\u003eLP includes digital download code. \u003c\/p\u003e","brand":"Heavenly Recordings","offers":[{"title":"LP - Black Vinyl","offer_id":45183893209400,"sku":"5400863119652","price":22.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/baxter-dury-i-thought-i-was-better-than-you.jpg?v=1684083242"},{"product_id":"ben-harper-wide-open-light","title":"Ben Harper - Wide Open Light","description":"\u003cp\u003e'Wide Open Light’ is a family of songs I’ve written.I’ve selected them with the care one might put into a personal photo album. To that effect, I’d call it a sonic family photo album, each track a close relative to the next.\u003c\/p\u003e\n\u003cp\u003e“The story behind this record is simple. I have been writing songs now for over 30 years. It’s what I long to do, love to do, and at times feel I need todo, and hope to continue doing until the ink runs dry and the notes fade. “But for now, ‘Wide Open Light’. “Deliberately minimalist, the songs themselves do as much of the heavy lifting as the production.(produced by myself, and my long time collaborators Danny Kalb and Jason Mozersky).”-Ben Harper\u003c\/p\u003e\n\u003cp\u003eFeatured guests on the album include Jack Johnson, guitar and vocals on ‘Gone For Good’, Shelby Lynne, vocals on ‘8 Minutes’ and Piers Faccini, vocals on ‘Wide Open Light’.\u003c\/p\u003e","brand":"Chrysalis Records \/ SD","offers":[{"title":"LP - Black Vinyl","offer_id":45183993119032,"sku":"0810098501460","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/ben-harper-wide-open-light.jpg?v=1684085370"},{"product_id":"bully-lucky-for-you","title":"Bully - Lucky For You","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e‘Lucky For You’ is Bully’s most close-to-the-bone album yet. It’s an album that’s searing and unmistakably marked by its creator’s experiences, while still retaining the massive sound that Alicia Bognanno has become known for over the last decade.\u003c\/p\u003e\n\u003cp\u003eHer fourth album draws from personal pain and the universal struggle that is existing,learning, and moving on - and it’s all soundtracked by Bognanno’s rock solid melodic sensibilities and a widescreen sound that’s impossible to pin down when it comes tothe textures explored.\u003c\/p\u003e\n\u003cp\u003eThese ten songs are simply the most irresistible Bognanno has put to tape yet,making ‘Lucky For You’ her greatest triumph to date in a career already packed with them. Work on ‘Lucky For You’ began last year, when Bognanno brought some in progress demos to producer J.T. Daly in his Nashville studio to see if they could strike creative kismet.\u003c\/p\u003e\n\u003cp\u003e“Authenticity is always on my mind, without even knowing it,” she explains while discussing their recording process together. “It was great with J.T., because I could tell he was a genuine fan who wanted to emphasize what’s actually good about my writing instead of changing it. I could tell how much he cared about the project, and itmeant a lot to me.”\u003c\/p\u003e\n\u003cp\u003eThe album came together over the course of seven months, the longest gestation process for a Bully record to date, but that time allowed inspiration to emerge in new ways. The result is a kaleidoscopic rock record spanning punk’s grit, the crunchy bliss of shoe gaze, explosive Britpop, and the type of classic anthems Bully has been known for.\u003c\/p\u003e\n\u003cp\u003e‘Lucky For You’’s thematic focus zooms in on grief and loss: The record is largely inspired by Bognanno’s dog and best friend Mezzi passing away, at a time when her life already felt as if in metamorphosis. The oceanic first single, ‘Days Move Slow’,was written shortly after Mezzi’s passing, reflecting the persistence of Bognanno’s incisive wit in the face of adversity. “There was nothing I could do except sit downand write it, and it felt so good.”\u003c\/p\u003e\n\u003cp\u003eAnd then there’s the passionate opening track, ‘All I Do’, which kicks in the door with huge riffs atop her lyrical reflections on three years of sobriety. “Once I stopped drinking, I felt like I was still haunted by mistakes and things that had happened whenI was drinking, and it’s still taking me a long time to forget about that while existing inthis house. How do I shed the skin from a path I’ve moved on from?”\u003c\/p\u003e\n\u003cp\u003eIn that vein, ‘Lucky For You’ is a document of perseverance in the face of the big and the small stuff. “I’m so overly emotional and sensitive, it’s a blessing and a curse,”she says with a laugh, but there’s no downside to her expressions of vulnerability on this record; it’s the latest bit of evidence that nothing can hold Bognanno back.\u003c\/p\u003e\n\u003cp\u003eLoser Edition Curacao Blue coloured vinyl.\u003c\/p\u003e","brand":"Sub Pop Records","offers":[{"title":"LP - Blue Vinyl","offer_id":45184028868920,"sku":"0098787156508","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/bully-lucky-for-you.jpg?v=1684086023"},{"product_id":"jake-shears-last-man-dancing","title":"Jake Shears - Last Man Dancing","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eJake Shears turns his lifelong love affair with club culture into his most ambitious pop music to date with his brand new album, ‘Last Man Dancing’.\u003c\/p\u003e\n\u003cp\u003eThe new album sees him rollerblade his way unapologetically through pop culture. The album was brought to vivid life by Jake Shears and a close crew of collaborators, including head-turning features from Kylie Minogue, Jane Fonda, Amber Martin, and a pre-Renaissance turn from the iconic Big Freedia.\u003c\/p\u003e\n\u003cp\u003eThe album launches with the massive single ‘Too Much Music’, which - from its glam rock overture, dramatic strings and irresistible Nile Rodgers groove - announces itself immediately as a definitive Jake Shears anthem.\u003c\/p\u003e\n\u003cp\u003e‘Last Man Dancing’ is a life affirming record for anyone who has felt lost - out of love, on a night out, or in the modern world - but kept moving anyway.\u003c\/p\u003e\n\u003cp\u003eLimited edition orang marble vinyl.\u003c\/p\u003e","brand":"Mute","offers":[{"title":"LP - Orange Marble Vinyl","offer_id":45184204702008,"sku":"5400863120535","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/jake-shears-last-man-dancing.jpg?v=1684090745"},{"product_id":"lanterns-on-the-lake-versions-of-us","title":"Lanterns on the Lake - Versions Of Us","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTyneside’s Lanterns on the Lake release their much-anticipated album,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVersions of Us\u003c\/i\u003e. This self-produced fifth studio album follows 2020’s Mercury nominated\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSpook the Herd\u003c\/i\u003e. Its nine songs are existential meditations examining life’s possibilities, facing the hand we’ve been dealt and the question of whether we can change our individual and collective destinies.\u003c\/p\u003e\n\u003cp\u003eSinger and songwriter Hazel Wilde has no doubt that motherhood fundamentally shifted her perspective. “Writing songs requires a certain level of self-indulgence, and songwriters can be prone to dwelling on themselves,” she says. “Motherhood made me aware at having a different stake in the world. I’ve got to believe that there’s a better way and an alternative future to the one we’ve been hurtling towards. I’ve also got to believe that I could be better as a person, too.”\u2028\u003c\/p\u003e\n\u003cp\u003eMixed by the band’s guitarist Paul Gregory, in the bedroom of his home in North Shields, there is a sense of time and place that runs deep throughout this record.\u003c\/p\u003e\n\u003cp\u003eGiven some of its themes, a biting irony is found in an entire previous version of the record being discarded. Mental health struggles and personal problems in the band had a big impact on how the initial version took shape. “Despite trying everything we could to make it work we reached the point where we just had to stop” Wilde explains. Drummer Ol Ketteringham parted ways with the band, something Wilde says was “heartbreakingly difficult as we were and still are extremely close”. \u2028\u2028The band scrapped nearly a year’s worth of work, regressing to song demos with just Wilde performing with a single instrument as they began again with Radiohead’s Philip Selway joining the album sessions on drums. “Philip brought an energy to the songs that reignited our belief in them,” says Wilde. “Within a few weeks we had a whole other version of the album and things felt very different,” Wilde continues. “We had changed the destiny of the record.”\u003c\/p\u003e\n\u003cp\u003eIt’s a heartening idea. Despite the difficulties in its genesis, Versions of Us is the most empowering album yet from the band. In exploring whether we can change fate or are doomed to repeat the same mistakes in life, this powerful collection of songs ultimately alights on hope.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eLP pressed on transparent orange vinyl in a gatefold sleeve with printed inner sleeve.\u003c\/p\u003e","brand":"Bella Union","offers":[{"title":"LP - Transparent Orange Vinyl","offer_id":45184219480376,"sku":"5400863120719","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/lanterns-on-the-lake-versions-of-us.jpg?v=1684091124"},{"product_id":"puma-blue-in-praise-of-shadows","title":"Puma Blue - In Praise Of Shadows","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e‘In Praise Of Shadows’ is a delirious dreamland of soulful vocals, D’Angelo-ish guitars and muted electronic beats. Its fourteen tracks are a contemplation on “the balance of light and dark,the painful things you have to heal from or accept,that bring you through to a better place,”says the 25-year-old Puma Blue, real name Jacob Allen.“It’s about finding light in darkness - and realising that it’s what got me here today.”\u003c\/p\u003e\n\u003cp\u003ePuma Blue’s nocturnal, soul-searching sound was born from a decade in which the 25-year-old was plagued with insomnia, “for literally a decade, I just couldn’t sleep,” says the cult-acclaimed London songwriter \/ producer. That certainly helps to explain the hazy, late-night ‘voicemail ballads’ of the early EP releases that propelled him to prominence, 2017’s ‘Swum Baby’ and 2018’s‘Blood Loss’ earning him a reputation as affecting chronicler of unrequited love and inner turmoil.\u003c\/p\u003e\n\u003cp\u003eIt’s an intimacy still present across ‘In Praise OfShadows’ but there’s also a new maturity and lucidity to the way in which Allen deals with his demons and celebrates beauty across his debut album, influenced no doubt by his journey over the last two years in which a blossoming romance has finally helped him to sleep whilst a burgeoning career forced the previously bedroom-bound songwriter out into the open, driving him to find new perspectives on loss, love and everything in between.\u003c\/p\u003e\n\u003cp\u003eBlack vinyl 2 disc LP.\u003c\/p\u003e","brand":"Blue Flowers Music","offers":[{"title":"LP - 2 Disc Black Vinyl","offer_id":45184557449528,"sku":"5400863081973","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/puma-blue-in-praise-of-shadows.jpg?v=1684093953"},{"product_id":"wolf-eyes-dreams-in-splattered-lines","title":"Wolf Eyes - Dreams In Splattered Lines","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ci\u003eDreams In Splattered Lines\u003c\/i\u003e\u003cspan\u003e fuses together Wolf Eyes' 25 years of DIY electronics with the avant-garde sensibilities of Fluxus and the granite of dreary Midwestern life. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContinuing some of the ideas explored on the Difficult Messages record of collaborations, the result is a surreal dreamscape of disorienting sound collages, where hit songs are transformed into terrariums of sonic flora and decimated fauna. As if pulled from a fever dream, the surrealists of the 1960s converge with alien electronic blues musicians in an underworld of mystery. The air is thick with car wash radio white noise, crackling and fizzing like a toxic elixir, spoken word poetry transmissions as absurd and cryptic phrases. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach corroded aural environment is a microcosm of chaos, honed to razor-sharp precision. Swept away in a whirlwind of thirteen perplexing narratives, each one an unpredictable journey through subterranean worlds, a sonic trip of reality folded into itself.\u003c\/span\u003e\u003c\/p\u003e","brand":"Disciples","offers":[{"title":"LP - Black Vinyl","offer_id":45184708149560,"sku":"5060263729921","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/wolf-eyes-dreams-in-splattered-lines.jpg?v=1684095633"},{"product_id":"burial-burial-2lp","title":"Burial - Burial 2LP","description":"\u003cp\u003eThis first album on Kode9's deeply-respected Hyperdub label comes from the mysterious Burial, who carves out a sound which sends the dormant slinky syncopations of UK garage, via radio interference, into a padded cell of cushioned, muffled bass, passing through clouds of Pole's dense crackle dub en route.\u003c\/p\u003e\n\u003cp\u003eIt explores a tangential, parallel dimension of the growing dubstep ouevre, using sounds set in a near-future South London submerged underwater. you can never tell if the crackle is the burning static off pirate radio transmissions, or the tropical downpour of the city outside, taking its loud quiet aesthetic neither from the latest digital glitch software nor a mere nostalgia for vinyl's intrinsic physicality. In their sometimes suffocating melancholy, most of these tracks seem to yearn for drowned lovers, as haunted echoed voices breeze in and out, on roads to and from other times. The smouldering desire of Distant Lights is cooled only by the percussive ice sharp slicing of blades and jets of hot air blowing from the bass.\u003c\/p\u003e\n\u003cp\u003eListen also for a fleeting appearance from Hyperdub's resident vocalist, the Spaceape, unravelling his cryptobiography. Burial is a renegade signal from other frequencies, a tidal wave of seductive low-impact noise submerging all but the crispest syncopations, and is well on course to be universally welcomed as the standard-bearer for creative vision built upon the grime and dubstep blueprint.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e2LP - 180 Gram Double re-pressing.\u003c\/p\u003e","brand":"Hyperdub","offers":[{"title":"LP - Black Vinyl","offer_id":45187758948664,"sku":"5024545413014","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/burial-burial-2lp.jpg?v=1684145066"},{"product_id":"modern-cosmology-what-will-you-grow-now","title":"Modern Cosmology - What Will You Grow Now?","description":"\u003cp\u003eThe second collaborative album from Laetitia Sadier [Stereolab and solo] and Brazil's Mombojó. Release via Stereolab's Duophonic Super 45s imprint.\u003c\/p\u003e\n\u003cp\u003eModern Cosmology is a musical ensemble composed of six individuals of the human race, none of which are cosmologists or astronomers, although Felipe S. - who sings and plays the guitar - knows quite a bit about reading astrological charts. He shares his frontperson duties with one Laetitia Sadier who, by virtue of her singer-songwriter career both as a solo artist and as part of the Stereolab ‘groop’, happens to be one of the key figures of her bandmates’ musical formation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWhat Will You Grow Now? started in late 2016 on a recording session Mombojó did on a motorboat up the Capibaribe river in their Recife hometown. The title track was recorded there and then during this fluvial jam session, and the other backing tracks were recorded about a year later at a recording studio at the local University, after which Laetitia had a bunch of new material to add words and melodies to, from her Brazilian friends and bandmates with love. Life happened, COVID happened, new albums by Laetitia and Mombojó also happened, and between this and that Modern Cosmology managed to get six new tracks ready for release.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAs the title teases, this album is about growth, deepening connections and strengthening bonds, about delving into the next chapter, about realising that now that we have drawn attention to a number of important issues, how do we avoid addressing them without falling in the same pits we have before?\u003c\/p\u003e","brand":"Duophonic Super 45s","offers":[{"title":"LP - Black Vinyl","offer_id":45187759505720,"sku":"5024545973419","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/modern-cosmology-what-will-you-grow-now.jpg?v=1684145069"},{"product_id":"raincoats-odyshape","title":"Raincoats - Odyshape","description":"\u003cp\u003eOdyshape was the second album by the Raincoats, originally released on Rough Trade records in 1981. Now reissued by the band themselves and re-mastered from original masters.\u003c\/p\u003e\n\u003cp\u003eOdyshape was a radical departure from the band's first album, exploring different musical genres and featuring a diverse range of instruments, such as the Shruti box, Balophone, Shehnai and Kalimba. It's a very intimate recording, full of sounds they wisely never tried to recreate again, and vocal takes that are often inflected with a heart-crushing vulnerability.\u003cbr\u003e\u003c\/p\u003e","brand":"We Thre","offers":[{"title":"LP - Black Vinyl","offer_id":45187759898936,"sku":"5024545622225","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/raincoats-odyshape.jpg?v=1684145071"},{"product_id":"waxahatchee-out-in-the-storm","title":"Waxahatchee - Out In The Storm","description":"\u003cp\u003eOut in the Storm is the blazing result of a woman reawakened. Her most autobiographical and honest album to date, Out in the Storm is a self-reflective anchor in the story of both Katie Crutchfield’s song writing and her life.\u003c\/p\u003e\n\u003cp\u003eThe album tells the story of taking control of a volatile situation, embracing flaws, and exploring a new sonic freedom. The album was tracked at Miner Street Recordings in Philadelphia with John Agnello, known for working with some of the most iconic musicians of the last 25 years, including Dinosaur Jr. and Sonic Youth. For Agnello, it was Crutchfield’s voice that drew him in. “The first demo song I heard was Fade. The melodies, the way she sings it, the way she turns the melody, and the way she goes note to note is literally beautiful.\u003c\/p\u003e\n\u003cp\u003eSingers - you either have it or you don’t. She has it.” Agnello and Crutchfield worked together for most of December 2016, along with the band: sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, and Ashley Arnwine on drums; Katie Harkin, touring guitarist with Sleater-Kinney, also contributed lead guitar. At Agnello’s suggestion, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases, resulting in one of Waxahatchee’s most guitar-driven releases to date. “My experience working with John was genuinely life-changing,” says Crutchfield.\u003c\/p\u003e\n\u003cp\u003e“We had such a great connection right off the bat, and I really feel like he was always looking out for me. He pushed me when I needed it, and gave me space when I needed it.” Crutchfield’s voice oscillates between effortless grace and commanding righteousness, taking the listener with her on an explicitly personal journey. Songs like Hear You and No Question are lyrically unapologetic and musically resolute, while the softer acoustic songs like A Little More and Fade let fear and melancholy seep through. But it is on the atmospheric Sparks Fly where we feel an essential redemption.\u003c\/p\u003e\n\u003cp\u003eSparks Fly acts as an inner dialogue and marks the first time since the inception of Waxahatchee that any semblance of self-love has shone through. This moment is a perspective we’ve yet to see from Crutchfield: it is a rediscovery of herself, and the realization of a full life she is completely worthy of. “It’s about self-preservation, selfcare, and reclaiming your autonomy,” says Crutchfield. “When you find the things that make you happy, sometimes it’s easier to see things that make you unhappy.”\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LP - Black Vinyl","offer_id":45187760292152,"sku":"673855059419","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/waxahatchee-out-in-the-storm.jpg?v=1684145074"},{"product_id":"the-slow-readers-club-knowledge-freedom-power","title":"The Slow Readers Club - Knowledge Freedom Power","description":"\u003cp\u003eThe critically acclaimed The Slow Readers Club will follow their 2020 Top 10 album ‘The Joy of the Return’ with the release of their new record ‘Knowledge Freedom Power’ on February 24th, 2023.\u003c\/p\u003e\n\u003cp\u003eThe Manchester band launch the album by sharing its lead single and title track.Nothing – not despots, pandemics, self-destruction or the rise of the machines–can keep a good band down. So, When The Slow Readers Club hit the studio in early 2022 with producer Joe Cross (Hurts\/Courteeners), they battled dark times with a refreshing optimism. The result is ‘Knowledge Freedom Power’ , a sizzling synth-rock beast of a record akin to White Lies, Muse and modern-day Bloc Party, and a rallying cry of emancipation, both stylistically and socially. It’s a righteous punch of the air, a surge towards the future.\u003c\/p\u003e\n\u003cp\u003eFrontman Aaron Starkie says, “The world had got so bleak it felt a little indulgent to paint apocalyptic pictures when they were out in the real world. I thought people would probably want to hear more uplifting things, it was my intention to be a bit more positive. There’s still a lot of melodrama in there and it’s still dystopian in places but there’s more positive shades in this record.\u003c\/p\u003e","brand":"Velveteen Records","offers":[{"title":"LP - Black Vinyl","offer_id":45187760718136,"sku":"5024545989113","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/the-slow-readers-club-knowledge-freedom-power.jpg?v=1684145077"},{"product_id":"the-lemonheads-its-a-shame-about-ray-30th-anniversary","title":"The Lemonheads - It's A Shame About Ray (30th Anniversary Edition)","description":"\u003cp\u003eThe long overdue reissue includes a slew of extra material, including an unreleased ‘My Drug Buddy’ KCRW session track from 1992 featuring Juliana Hatfield, B-sides from singles ‘It’s A Shame About Ray’ and ‘Confetti’, a track from the ‘Mrs. Robinson \/ Being Round’ EP, alongside demos that will be released for the first time on vinyl. This reissue celebrates their prestigious fifth album, these deluxe bookback editions feature new liner notes and unseen photos.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDescribed by music journalist and author Everett True as “A 30-minute insight into what it’s like to live hard and fast and loose and happy with like-minded buddies, fuelled by a shared love for similar bands and drugs and booze and freedom.”. ‘It's A Shame About Ray’ had a considerable impact back in those heady, carefree days of '92, the record perfectly captures Dando’s ability to effortlessly encapsulate teenage longing and lust over the course of a two-minute pop song.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSingles such as 'My Drug Buddy' and the breezy perfect pop of the title track might stand out (plus the add-on of 'Mrs. Robinson' which later copies included), but the album's real strength lies in the tracks in-between; the truly fantastic 'Confetti' (written about Evan's parents' divorce), and the eye-wateringly casual acoustic cover of 'Frank Mills' (from the \"hippie\" musical Hair), a version that seems to resonate with every ounce of pathos and emotion felt for the lost 1960s generation.\u003c\/p\u003e\n\u003cp\u003eTo hear Evan Dando sing lines like 'I love him\/but it embarrasses me\/To walk down the street with him\/He lives in Brooklyn somewhere\/And he wears his white crash helmet' is to truly appreciate how wonderful and tantalising pop music can be. Then, there's the rush of insurgency and brattishness on the wonderfully truncated 'Bit Part'; the topsy-turvy 'Ceiling Fan In My Spoon'... this was male teenage skinny-tie pop music on a level of brilliance with The Kinks, early Undertones, Wipers.\u003c\/p\u003e","brand":"Fire Vinyl","offers":[{"title":"LP - Black Vinyl Bookback Edition","offer_id":45187770646840,"sku":"809236162410","price":39.0,"currency_code":"GBP","in_stock":false},{"title":"LP - Black Vinyl","offer_id":49982534517048,"sku":"","price":27.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/the-lemonheads-its-a-shame-about-ray-30th-anniversary.jpg?v=1684145120"},{"product_id":"the-national-first-two-pages-of-frankenstein","title":"The National - First Two Pages of Frankenstein","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAnchored by evocative melodies and an enthralling lyrical narrative, \u003ci\u003eFirst Two Pages of Frankenstein \u003c\/i\u003esignals a thrilling new chapter in the band’s discography.\u003cb\u003e \u003c\/b\u003eThe 11-song album was produced by The National at Long Pond Studios in upstate New York and features guest appearances by Taylor Swift, Phoebe Bridgers and Sufjan Stevens.\u003c\/p\u003e\n\u003cp\u003eThe follow-up to 2019’s top five hit album\u003ci\u003e I Am Easy To Find\u003c\/i\u003e, \u003ci\u003eFirst Two Pages of Frankenstein \u003c\/i\u003ewas initially stalled while lead singer Matt Berninger navigated “a very dark spot where I couldn’t come up with lyrics or melodies at all, and that period lasted for over a year. Even though we’d always been anxious and argued quite a lot whenever we were working on a record, this was the first time it ever felt like maybe things really had come to an end.” Instead, The National “managed to come back together and approach everything from a different angle, and because of that we arrived at what feels like a new era for the band,” according to guitarist\/pianist Bryce Dessner, whose bandmates also include his brother Aaron (guitar\/piano\/bass) as well as brothers Scott Devendorf (bass, guitar) and Bryan Devendorf (drums).\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eFirst Two Pages of Frankenstein \u003c\/i\u003echannels the group’s revitalized chemistry into a body of work that beautifully balances elegant musicality with the National’s more idiosyncratic impulses. Tracks such as “Grease in Your Hair” and “Ice Machines” were road-tested in 2022 before they were recorded, allowing the band to hone the material in real time (another song, “Weird Goodbyes” featuring Bon Iver’s Justin Vernon, was released as a standalone track last August). “To me the power of this record has to do with the intentionality and structure of the music meeting with a lot of accidental magic,” says Aaron Dessner.\u003c\/p\u003e\n\u003cp\u003eSwift duets with Berninger on the luminous “The Alcott,” continuing her recent string of collaborations with members of The National on her chart-topping albums \u003ci\u003efolklore\u003c\/i\u003e and \u003ci\u003eevermore\u003c\/i\u003e and Aaron Dessner’s Big Red Machine project. The song finds Berninger and Swift inhabiting the roles of a couple attempting to resurrect a troubled relationship, forging a finely drawn story nearly novelistic in scope. “It’s about two people with a long history returning to a place and trying to relive a certain moment in time,” says Berninger. “It’s got the feeling of a last-ditch effort to hold onto the relationship, but there’s a hint of something positive where you can see the beginnings of a reconnection.”\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"LP - Black Vinyl","offer_id":45188051075384,"sku":"191400056619","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/national-first-two-pages-of-frankenstein.jpg?v=1684147866"},{"product_id":"movietone-movietone","title":"Movietone - Movietone","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWorld Of Echo are proud to announce the long-awaited reissue of the self-titled debut album by Bristol’s \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e. Originally released in 1995 by Planet Records and reissued on CD in 2003 by The Pastels’ Geographic Music imprint, this is the first time \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e has been reissued on vinyl. An expanded double-LP edition, it includes the extra tracks from the 2003 CD (their first two singles, and an unreleased demo of “Chance Is Her Opera”), and adds three more unearthed gems: demos of “Alkaline Eye” and “She Smiled Mandarine Like”, and an early take of “Late July”, recorded in a garden by Dave Pearce (Flying Saucer Attack) in 1993.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTaken together, this is the definitive collection of music from the first phase of one of Bristol’s most remarkable groups. \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e was the cumulation of a series of events, explorations, and discoveries, starting at secondary school – the group’s core membership of Kate Wright, Rachel Brook, Matt Elliott and Matt Jones met at Cotham School in Bristol. As for many other groups, their early years were all about experimenting, and finding ways to ‘make do’, a DIY sensibility that would inform \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e through their decade-long lifespan. From formative rehearsals in a shed in the garden of Brook’s family home, to recording early material to four-track in Redland Library, and on into the Whitehouse and Mr Grin’s studio sessions for their debut album, \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e’s music fell together in a creatively unpredictable, yet conceptually rigorous manner.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBy the time they released \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e, they’d found a home with Bristol’s Planet, run by author Richard King and James Webster, who had both released their first two singles, “She Smiled Mandarine Like” and “Mono Valley”. There was other music happening around them in Bristol, too, from the Jones brothers’ avant-rock outfit Crescent (who were \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e’s closest conspirators), through Elliott’s jungle\/electronica project Third Eye Foundation, and Brook and Elliott’s membership of Flying Saucer Attack. A closely knit community, \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e are the centre of this nestling architecture of groups. The vision in the music, mostly, belongs to Wright, but \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e ran in democratic creative consort. Listening back to \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e, you can hear this democracy in action through the wildness of the music, which is balanced by the poetics of Wright’s lyrics and melodies.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFull of half-captured memories and entangled abstractions, there’s an elliptical, ruminative quality to much of the writing here that shows the deep influence of the Beat Generation writers, along with a twilight environment captured in the songs that’s pure third-album Velvets, Galaxie 500, early Tindersticks, Codeine. Unpredictable interventions – the crashing glass in “Mono Valley”, the sudden explosions of “Orange Zero” point towards the noise blowouts of My Bloody Valentine, the unpredictability of Sonic Youth; Wright’s understated vocal cadence suggest a deep, embodied understanding of John Cage’s Indeterminacy.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e would go on to make 3 fantastic albums for Domino: Night \u0026amp; Day (1997), The Blossom Filled Streets (2000) and The Sand \u0026amp; The Stars (2003) and their Peel Sessions were released earlier this year on Textile. Still held in high regard by artists like Steven R. Smith, and The Pastels, whose Stephen McRobbie once described them as “one of the great unknown English groups,” it’s an absolute thrill to listen to \u003c\/span\u003e\u003cspan class=\"il\"\u003eMovietone\u003c\/span\u003e\u003cspan\u003e anew – still inspired, still seductive, still magic, still mysterious.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 Disc LP.\u003c\/span\u003e\u003c\/p\u003e","brand":"World of Echo","offers":[{"title":"LP - 2 x Black Vinyl","offer_id":45195478860088,"sku":"5024545982114","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/movietone-movietone.jpg?v=1684215199"},{"product_id":"sufjan-stevens-illinois","title":"Sufjan Stevens - Illinois","description":"\u003cp\u003eLike the self-proclaimed Spiderman who climbed Chicago's sears tower with no harness, Sufjan Stevens scales dusty prairies, steel factories, and two hundred years of history in the second instalment of his 50 state project, Illinois, a 22-track athematic tone poem to the prairie state.\u003c\/p\u003e\n\u003cp\u003eAn engrossing musical road trip, Illinoise takes you through ghost towns, grain mills, hospital rooms, and the city of broad shoulders, with guest appearances by a poet, a president, a serial murderer, UFO's, Superman, the goat that cursed the cubs, and Decatur's famous chicken-mobile. Sufjan weaves variegated musical styles (jazz, funk, pop, folk, and Rodgers \u0026amp; Hammerstein-like flourishes) and the textures of 25 instruments into a tapestry of persons and places famous, infamous, iconic and anonymous.\u003c\/p\u003e\n\u003cp\u003eInvoking the muse of poet Carl Sandburg, Illinoise ushers in trumpets on parade, string quartets, female choruses and ambient piano scales arranged around Stevens' emerging falsetto.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LP - Black Vinyl","offer_id":45195532697912,"sku":"656605892610","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/sufjan-stevens-illinois.jpg?v=1684217133"},{"product_id":"cloth-secret-measure","title":"Cloth - Secret Measure","description":"\u003cp\u003eGlasgow-based twin-sibling duo Cloth (Rachael and Paul Swinton) release Secret Measure their first full-length release on Rock Action Records (Mogwai, Arab Strap, The Twilight Sad) following the four-song ‘Low Sun EP’ (2022). The album was produced by Ali Chant (Yard Act, Katy J Pearson, Squirrel Flower) at Toybox Studios, Bristol.\u003c\/p\u003e","brand":"Secretly Canadian","offers":[{"title":"LP - Black Vinyl","offer_id":45195532730680,"sku":"656605158013","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/cloth-secret-measure.jpg?v=1684217136"},{"product_id":"westerman-an-inbuilt-fault","title":"Westerman - An Inbuilt Fault","description":"\u003cp\u003eThe album’s nine songs took shape throughout the depths of the pandemic, and soundtrack Westerman’s reckoning with two years of intense isolation, loneliness, heartbreak, and dread. Through it all, the album is visceral and live-sounding, full of the sound of breath and the idiosyncratic gestures of acoustic instruments.\u003c\/p\u003e\n\u003cp\u003eIt creates a spatial feeling, sounding like musicians assembled in a room, passing evolving ideas back and forth. Co-produced with producer and percussionist James Krivchenia (Big Thief), An Inbuilt Fault musically references everything from Talk Talk’s delightfully strange and ethereal brand of pop, David Byrne’s bag of rhythmic tricks, Cat Stevens’ fireside warmth and much more.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAn Inbuilt Fault follows Westerman’s acclaimed 2020 debut Your Hero Is Not Dead, a graceful and self-reflective project which earned him a spot as one of the most talked about new artists of the year thanks to profiles from Pitchfork (‘Rising’), Stereogum (‘Artist To Watch’), and Rolling Stone (‘Artist You Need To Know’).\u003c\/p\u003e","brand":"Rock Action Records","offers":[{"title":"LP - Black Vinyl","offer_id":45195532796216,"sku":"5051083188173","price":12.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/westerman-an-inbuilt-fault.jpg?v=1684217139"},{"product_id":"angel-olson-burn-your-fire-for-no-witness","title":"Angel Olsen - Burn Your Fire For No Witness","description":"\u003cp\u003eWhen Angel Olsen's proper debut, Half Way Home, materialized in 2012, its spare indie folk compositions and subtle references to the greats of '50s country congealed into a restless whole. The album was great, but something in the way the songs connected with each other suggested that Olsen had something far more complex to say that wasn't quite getting through with Half Way Home, despite its fantastically crafted offerings.\u003c\/p\u003e\n\u003cp\u003eWith Burn Your Fire for No Witness, Olsen expanded in all directions, fully reaching the depth of expression hinted at on her last album while still lingering in the restlessness and searching feelings that make all of her work so captivating.\u003c\/p\u003e\n\u003cp\u003eProduction work from John Congleton adds a different dimension to Olsen's sound, and many of the songs are bolstered with tasteful playing from drummer Josh Jaeger and bassist Stewart Bronaugh, as well as touches of organ, piano, and other various supportive sounds. More than anything, however, the heightened production and instrumentation just help to show how much Olsen's songs have grown and how confident she's become as a performer, even in the space of one album. While still bearing some similarities to Roy Orbison or lesser-known mid-'90s indie singer Edith Frost, Olsen's voice feels more fearlessly her own here, stepping out of the muted shadows to bellow and wail like some wild hybrid of PJ Harvey and Emmylou Harris on a rocking track like \"Forgiven\/Forgotten\" or the more country-seeped \"Hi-Five.\"\u003c\/p\u003e","brand":"PARTISAM \/ PLAY IT AGAIN SAM","offers":[{"title":"LP - Black Vinyl","offer_id":45195533025592,"sku":"5400863092009","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/angel-olson-burn-your-fire-for-no-witness.jpg?v=1684217142"},{"product_id":"the-white-stripes-under-great-white-northern-lights","title":"The White Stripes - Under Great White Northern Lights","description":"\u003cp\u003eIn the summer of 2007, the White Stripes embarked on a cross-country Canadian tour to accomplish their goal of performing in every province and territory across the expansive northern nation. This was the enigmatic duo's first-ever official live album, featuring 16 songs on both vinyl and CD.\u003c\/p\u003e","brand":"SC DISTRIBUTION","offers":[{"title":"LP - Black Vinyl","offer_id":45195533123896,"sku":"825764190619","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/the-white-stripes-under-great-white-northern-lights.jpg?v=1684217146"},{"product_id":"sleaford-mods-uk-grim","title":"Sleaford Mods - Uk Grim","description":"\u003cp\u003e”IN ENGLAND NO-ONE CAN HEAR YOU SCREAM.” UK Grim\u003cbr\u003e\nWar, rising energy costs, inflation. A sclerotic political class and a divided country. The post-Brexit malaise, acts of national self-harm and other doomed flights from reality. Despair, anger and alienation. Has it ever been worse out there?\u003cbr\u003e\n“The rot’s set in,” says Sleaford Mods’ soulful ranter-inquisitor Jason Williamson. “So much it’s trampled into our consciousness to the point where we have become as one with the Conservative Party. We’re all Conservative MPs now… servants of this really bleak sort of Aldi nationalism.”\u003cbr\u003e\nWelcome to UK Grim. Building on the unique, insurrectionary strengths of previous records while refining them in gripping new ways, Sleaford Mods’ twelfth album is a stunning step up. This is nothing less than a defining band and voice of their generation – like The Jam, The Clash or Public Enemy were - more fully realised than ever before. At a musical moment where so much seems to exist simply to melt into air, it is, unmistakably, the real deal.\u003cbr\u003e\nBegun in the lockdowns of 2021, added to at JT Soars the band’s go to work space, and finished at musical brain Andrew Fearn’s home studio, UK Grim finds the group at their most immaculately enraged, disquieting and ferociously poetic. Following 2021’s Spare Ribs – their third top ten album since 2019 and their most successful yet – it is, like all their records, a diagnosing of the sicknesses of society, a panacea, and a psychological blot test where the listener finds themselves revealed.\u003cbr\u003e\nThough largely conceived before the tumults of 2022, UK Grim eerily anticipates the convulsions of a society losing its mind, narrated by a man determined to confront hypocrisies, especially his own. 14 watertight tracks take in stripped punk, barbed electronics and haunted hip hop, and subjects as diverse as the pernicious right-wing narrative, robbing from the till at work, a recovering addict’s nostalgia for drugs and, on Apart From You, an admission of existential aloneness. They are too brutally descriptive and psychologically blunt to be simple protest songs. Williamson says Covid ennui, life online, and experience of how the music industry works all folded into the album: however it happened, this could still be the angriest Sleaford Mods record yet.\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"LP - Black Vinyl","offer_id":45195533156664,"sku":"634904033316","price":24.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/sleaford-mods-uk-grim.jpg?v=1684217149"},{"product_id":"lael-neale-star-eaters-delight","title":"Lael Neale - Star Eaters Delight","description":"\u003cp\u003eNew, self-recorded album by LA\/Virginia artist Lael Neale explores themes of transcendentalism, the polarities of nature and civilization, and healing via minimalist pop ala the Velvet Underground.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLael Neale still has a flip phone and there were no screens involved in the creation of her new record Star Eaters Delight. The album is her second for Sub Pop and reveals an expansion of her sonic collaboration with producer and accompanist Guy Blakeslee. In April of 2020, in the wake of transformations both personal and global, Lael moved from Los Angeles back to her family’s farm in rural Virginia. Looking at the world from a distance and getting in tune with her own rhythms, she wrote and recorded steadily for two dreamlike years, driven by a need to make order out of chaos.\u003c\/p\u003e\n\u003cp\u003eForged in isolation, Star Eaters Delight is a vehicle for returning, not just to civilization, but to celebration. She says, “Acquainted with Night (recorded in 2019, and released in 2021), was focused inward, amidst the loud and bright Los Angeles surrounding me. It was an attempt to create spaciousness and quiet reverie within. When I moved back to the farm, I found that the unbroken silences compelled me to break them with sound. This album is more external. It is me reaching back out to the world, wanting to feel connected, to wake up, to come together again.”\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"LP - Black Vinyl","offer_id":45195533189432,"sku":"191402039115","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/lael-neale-star-eaters-delight.jpg?v=1684217152"},{"product_id":"radiohead-in-rainbows","title":"Radiohead - In Rainbows","description":"\u003cp\u003eAfter 15 years of continual, radical transformation, Radiohead found themselves with time, freedom and acquired wisdom. In Rainbows is the result years of jumping into the unknown and pushing one another’s creativity.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the crunching, fluttering drum machine intro to the opening track \"15 Steps\" it was clear it was a fully fledged Radiohead classic. As \"15 Steps\" transitions from an electro beat to a full band number, the currents drag you deep into Radiohead’s idiosyncrasies, by the time Bodysnatchers hits (and it doesn’t half hit) nothing else seems to matter but the burnt out kraut hook and Yorke’s pained whines.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Weird Fishes\/ Arpeggi\" and \"Reckoner\" both appear to be the odd cousins of John Fruscianti’s California funk, in which both the drums are mixed high, giving your heart something to worry about. The solitary moments with Thom Yorke on the backwardly twisted Nude, the serene Faust Arp and Videotape that dooms us all, turning the screw on our human psyche. At times it’s hard not wince in familiarity yet he is not wallowing in self-pity, he is human and articulate and unfortunately for us, we know where he’s coming from.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003ePrevious experiments bleed all over the album, warped electronics, brazen hooks and maudlin melodies while Yorke turns the screw on the human psyche. In Rainbows is Radiohead’s perfect form. The jigsaw falling into place.\u003c\/p\u003e","brand":"Sub Pop","offers":[{"title":"LP - Black Vinyl","offer_id":45195533680952,"sku":"98787153408","price":28.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/radiohead-in-rainbows.jpg?v=1684217154"},{"product_id":"radiohead-ok-computer-oknotok-19972017","title":"Radiohead - OK Computer OKnotOK 1997 to 2017 Box Set","description":"\u003cp\u003eBox set for true Radiohead fans.\u003c\/p\u003e\n\u003cp\u003eRescued from defunct formats, prised from dark cupboards and brought to light after two decades in cold storage… OKnotOK is released through XL Recordings, coinciding (roughly) with the original 1997 release date(s) of Radiohead’s landmark third album OK Computer.\u003c\/p\u003e\n\u003cp\u003eOKnotOK features the original OK Computer twelve track album, eight B-sides, and the Radiohead completist’s dream: I Promise, Lift, and Man Of War. The original studio recordings of these three previously unreleased and long sought after OK Computer era tracks finally receive their first official issue on OKnotOK. All material on OKnotOK is newly remastered from the original analogue tapes.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBox comprises:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThree 180 gram black 12” vinyl LPs containing 23 tracks: OK Computer, 3 previously unreleased studio tracks and 8 B-sides, all newly remastered. The vinyl is housed in a hardcover book along with 40 pages of artwork and lyrics.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e104 page notebook and a further 48 page sketchbook of artwork and notes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA C90 cassette mix tape compiled by the band, taken from OK Computer session archives and demo tapes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA download code for both the LPs and the tape.\u003c\/span\u003e\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"LP - Black Vinyl","offer_id":45195533713720,"sku":"634904032418","price":90.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/radiohead-ok-computer-oknotok-19972017.jpg?v=1684217157"},{"product_id":"bjork-debut","title":"Bjork - Debut","description":"\u003cp\u003eDebut laid the foundations for Bjork’s journey into the unexpected. Bjork redefined the singer-songwriter. The post-grunge, moody guy with a guitar was blown away by an explosion of creativity. Her magpie like tendencies to use some of the shiniest and newest experiments in music to tell her story range from the techno beats of Violently Happy and Big Time Sensuality, the exotic jazz of Like Someone in Love, The Anchor Song and Aeroplane, the natured trip-hop of Venus As A Boy, Come To Me and One Day. A truly iconoclastic album by a truly iconoclastic artist.\u003c\/p\u003e","brand":"Cargo Records","offers":[{"title":"LP - Black Vinyl","offer_id":45195533779256,"sku":"634904086800","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/bjork-debut.jpg?v=1684217160"},{"product_id":"alabama-shakes-boys-girls","title":"Alabama Shakes - Boys \u0026 Girls","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Alabama Shakes immediately turned heads with their refreshing take on the traditional music that makes up their influences, headlined by Howard’s stunning vocals.\", \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"There is much to admire about BOYS \u0026amp; GIRLS...not least its confidence....Howards's singing is a glorious thing in and of itself, but is also reminds of something that has gotten lost: the properly big female voice...\", \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"The Shakes looked to punk and hard rock as much as anything, and the melding of those influences with their rootsy, passionate appeal resulted in a style all their own, free of cynicism and brimming with vitality.\", \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4 stars out of 5 -- \"This debut album proves they don't disappoint in the studio....Their music has a raw, aggressive style that is completely their own.\", \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e3.5 stars out of 5 -- \"Howard's dirt-black gravitas holds it all together....She's got as much Robert Plant as Janis Joplin in her...\", \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"Howard is a romantic but no pushover....The Shakes also show a deft touch with buoyant Muscle Shoals soul-rock...\"\u003c\/span\u003e\u003c\/p\u003e","brand":"ONE LITTLE INDEPENDENT","offers":[{"title":"LP - Black Vinyl","offer_id":45195533812024,"sku":"","price":30.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/alabama-shakes-boys-girls.jpg?v=1684240318"},{"product_id":"arctic-monkeys-the-car","title":"Arctic Monkeys - The Car","description":"\u003cp\u003eThe Car is the seventh studio album from Arctic Monkeys. Featuring ten new songs written by Alex Turner, produced by James Ford and recorded at Butley Priory, Suffolk, La Frette, Paris and RAK Studios, London.\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"LP - Black Vinyl","offer_id":45195533877560,"sku":"883870165013","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/arctic-monkeys-the-car.jpg?v=1684217165"},{"product_id":"katy-j-pearson-sound-of-the-morning","title":"Katy J Pearson - Sound Of The Morning","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIf Pearson’s extracurricular activities in recent months have shown that she can dip a toe into a multitude of genres -providing guest vocals on Orlando Weeks’ recent album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHop Up\u003c\/i\u003e; popping up with Yard Act for a collaboration at End of the Road festival; singing on trad-folk collective Broadside Hacks’ 2021 project\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSongs Without Authors\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e- then second album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSound of the Morning\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003etakes that spirit and runs with it. It’s still Katy J Pearson (read: effortlessly charming, full of heart and helmed by that inimitable vocal), but it’s Katy J Pearson pushing herself musically and lyrically into new waters. Written and recorded in late 2021 after a self-prescribed period of down time spent walking, going on daily cold water swims and “just chillaxing massively”, even the credits on\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSound of the Morning\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eprofess a new thirst for experimentation from the singer. Joining\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eReturn\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eproducer Ali Chant on desk duties this time was Speedy Wunderground head honcho Dan Carey, who worked with Pearson on some of the album’s grittier tracks.\u003c\/p\u003e\n\u003cp\u003eThe slithering bass riff that underpins ‘Alligator’, offsetting its cathartic chorus is a case in point. “I was in such a bad mood that day because I’d had this huge E.ON bill to pay which was £500. I was on the phone to my dad, like, ‘Dad! I’ve fucked it!’” she recalls. “I walked into the studio and just burst into tears, and Dan was like, ‘Let’s just write a song’. We started writing this really jangly thing and that became the start of ‘Alligator’.”Perhaps the biggest surprise, meanwhile, comes in the tense, Carey-produced ‘Confession’. Written after a conversation with her mum sparked by the #MeToo movement, it’s an anxious rattle of a song that’s both abstract and painfully timeless. Yes, in this specific instance, “it was a very long time ago when it happened”, but as the song’s repetition seems to suggest, it was happening then, and it’s happening now and it will probably keep on happening.\u003c\/p\u003e\n\u003cp\u003e“When I listen to that song, it’s abstract but it feels very personal and strong to me and hopefully to the women around me. I think that song has so much anxiety and tension in it because every day, women are faced with triggering aspects of things that have happened to us -especially in music, I’ll be going to a gig and there’ll be some fucking creep there,” she explains. “It’s completely universal for so many of us, and I’m glad I’ve got a song that represents that because, as I’m getting older as a person and as a woman, I want to sing about this because I’m fucking angry. It’s nice to have an angry and anunnerving song on my album.”That Pearson decides to follow such a dark sonic moment with the sparse, traditional folk lilt of ‘The Hour’ (penned in its stripped back form, she chuckles, because the acrylic nails she was wearing at the time didn’t allow for anything more complex) is typical of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSound of the Morning\u003c\/i\u003e. It’s an album that’s as comfortable revelling in the more laid-back, Real Estate-esque melodies of lead single ‘Talk Over Town’ -a track that attempts to make sense of her recent experiences, of “being Katy from Gloucester, but then being Katy J Pearson who’s this buzzy new artist” -as it is basking in the American indie pop of ‘Float’, penned with longtime pal Ollie Wilde of Pet Shimmers, or experimenting with the buoyant brass of ‘Howl’, in which Orlando repays the favour with a vocal guest spot.\u003c\/p\u003e\n\u003cp\u003eThe record ends with a cover of ‘Willow’s Song’ by Paul Giovanni, taken from the 1973 soundtrack of The Wicker Man. Reinterpreted with a krautrock inflection, it might not have been from her pen but it’s a strangely appropriate way to summarise Katy J Pearson’s appeal: someone who takes classic, timeless ideas and spins them into new forms. It also leaves the door tantalisingly open for what’s to come -as she says herself, “I think it’s really nice to finish the album on something that isn’t mine but is still this ending moment -it’s like it’s saying, ‘What is she going to do next?\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"LP - Black Vinyl","offer_id":45195534926136,"sku":"744861082910","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/katy-j-pearson-sound-of-the-morning.jpg?v=1684217171"},{"product_id":"la-priest-fase-luna","title":"La Priest - Fase Luna","description":"\u003cp\u003eFase Luna is the ocean-inspired, wobbly-pop filled third album, by LA Priest, aka Sam Eastgate – via Domino. Following 2020’s GENE, named after a modular drum machine that Sam designed using 150 electrical circuits he’d built himself, Fase Luna strips things back to little more than Sam and his guitar: nine sunshine-streaked tracks of pure bliss.\u003c\/p\u003e\n\u003cp\u003eRecording in Mexico and the rainforests of Costa Rica, Fase Luna draws inspiration from each area’s mythical history and ancient connections to the ocean, drawing heavily on both to pack Fase Luna with stories of spirits and imaginations of life on the ocean bed. Raw and unfiltered, Fase Luna offers a one-way ticket to another world.\u003c\/p\u003e","brand":"Warp","offers":[{"title":"LP - Black Vinyl","offer_id":45195535188280,"sku":"5056614703658","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/products\/la-priest-fase-luna.jpg?v=1684217177"},{"product_id":"yves-tumor-praise-a-lord-who-chews-but-which-does-not-consume","title":"Yves Tumor - Praise a Lord Who Chews but Which Does Not Consume","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eYves Tumor’s highly anticipated follow-up to \u003c\/span\u003e\u003ci\u003eHeaven To A Tortured Mind.\u003c\/i\u003e\u003cspan\u003e The new album was produced by Noah Goldstein (Frank Ocean \/ Rosalía \/ FKA Twigs \/ Rihanna \/ My Beautiful Dark Twisted Fantasy).\u003c\/span\u003e","brand":"Warp","offers":[{"title":"LP - Back Vinyl","offer_id":45195764662584,"sku":"5056614703658","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/yves-tumor-praise-a-lord-who-chews-but-which-does-not-con_ab91f36d-51e2-43d6-9b5f-4eded1ca4242.jpg?v=1684222153"},{"product_id":"rose-city-band-garden-party","title":"Rose City Band - Garden Party","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGarden Party\u003c\/i\u003e, Rose City Band’s country psychedelic rock evokes the wide-open spaces of the American west and free spirits who call it home.\u003c\/p\u003e\n\u003cp\u003eLed by acclaimed guitarist and vocalist Ripley Johnson, Rose City Band are some of the best players in contemporary rock: pedal steel guitarist Barry Walker, keyboardist Paul Hasenberg, bassist Dewey Mahood (aka Plankton Wat), drummer Dustin Dybvig, and features Sanae Yamada of Moon Duo on Synthesizer.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGarden Party\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis both a celebration of summer and all it brings: friends gathering at backyard BBQs, cold beers on a hot porch, 12-foot sunflowers, and an exaltation of the value and respite of a moment of calm; the pleasures of time in the garden to appreciate the beauty of a contorted carrot, or a morning on a stoop watching a hummingbird.\u003c\/p\u003e\n\u003cp\u003eFreedom, contentment, and joy were the sources for the songs; they certainly bring the listener right there. From the soaring guitar solos to the driving rhythms, the elegant pedal steel lines to the organ grooves,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGarden Party\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehas a live band’s energy captured in exquisite detail.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGarden Party\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis an invitation, a welcoming hand extended, and a joyous ride. Like all great music, the album taps into the listeners' emotional center and takes them to their happy place – their sunny spot. Recorded at Center for Sound, Light, and Color Therapy in Portland and mixed by John McEntire, the band’s sounds surround and embrace you.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eGarden Party’s\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003elast two tracks feature special guest Sanae Yamada (Moon Duo) who added some synth magic to the final two tracks. Ripley says it best “I always like when an album starts in one place and ends in another” What a beautiful journey it is!\u003c\/p\u003e","brand":"Thrill Jockey","offers":[{"title":"LP - Black Vinyl","offer_id":45195787600184,"sku":"790377058819","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/rose-city-band-garden-band.jpg?v=1684222997"},{"product_id":"the-charlatans-tellin-stories","title":"The Charlatans - Tellin' Stories","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOriginally released in 1997.\u003c\/p\u003e\n\u003cp\u003eBuilding on the sound of their eponymous, previous release (\u003ci\u003eThe Charlatans\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e- also a number 1), the band's performance has the feel of a classic British rock band, (the type which also contain 'Roll' in the Music'), combined with the more focussed songwriting of 'Britpop'. It has aged well. beggars banquet now release a special expanded edition.\u003c\/p\u003e\n\u003cp\u003e2LP - The first disc is the original album, re-mastered and cut from the analogue studio tapes, while the second disc is a collection of the single b sides plus an unreleased, early version of 'Don't Need a Gun', originally entitled 'Rainbow Chasing'. Of the eight b sides only half were re-issued on the anthology\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSongs from the Other Side\u003c\/i\u003e.\u003c\/p\u003e","brand":"Beggars Banquet","offers":[{"title":"LP - 2 x Black Vinyl","offer_id":45269560328504,"sku":"607618209315","price":28.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/the-charlatans-tellin-stories.jpg?v=1685078160"},{"product_id":"penelope-isles-which-way-to-happy","title":"Penelope Isles - Which Way to Happy","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen you’re trying to make it through tough times, you need a little light to find your way. That light blazes brightly on the alchemical second album from Penelope Isles, an album forged amid emotional upheaval and band changes. Setting the uncertainties of twentysomething life to alt-rock and psychedelic songs brimming with life, colour and feeling, \u003c\/span\u003e\u003ci\u003eWhich Way to Happy\u003c\/i\u003e\u003cspan\u003e emerges as a luminous victory for Jack and Lily Wolter, the siblings whose bond holds the band tight at its core. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProduced by Jack and mixed by US alt-rock legend Dave Fridmann, the result is an intoxicating leap forward for the Brighton-based band, following the calling-card DIY smarts of their 2019 debut, \u003c\/span\u003e\u003ci\u003eUntil the Tide Creeps In\u003c\/i\u003e\u003cspan\u003e. Sometimes it swoons, sometimes it soars. Sometimes it says it’s OK to not be OK. And sometimes it says it’s OK to look for the way to happy, too. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePitched between fertile coastal metaphors and winged melodies, intimate confessionals and expansive cosmic pop, deep sorrows and serene soul-pop pick-you-ups, it transforms “difficult second album” clichés into a thing of glorious contrasts: a second-album surge of up-close, heartfelt intimacies and expansive, experimental vision.\u003c\/span\u003e\u003c\/p\u003e","brand":"Cooperative Music","offers":[{"title":"LP - White Vinyl","offer_id":45269590999352,"sku":"","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/penelope-isles-which-way-to-happy.jpg?v=1685079040"},{"product_id":"bjork-homogenic","title":"Bjork - Homogenic","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBy the late '90s, Bjork's playful, unique world view and singular voice became as confining as they were defining. With its surprising starkness and darkness, 1997's \u003c\/span\u003e\u003ci\u003eHomogenic\u003c\/i\u003e\u003cspan\u003e shatters her \"Icelandic pixie\" image. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePossibly inspired by her failed relationship with drum 'n' bass kingpin Goldie, Bjork sheds her more precious aspects, displaying more emotional depth than even her best previous work indicated. Her collaborators - LFO's Mark Bell, Mark 'Spike' Stent, and \u003c\/span\u003e\u003ci\u003ePost\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003econtributor Howie B - help make this album not only her emotionally bravest work, but her most sonically adventurous as well.\u003c\/span\u003e\u003c\/p\u003e","brand":"ONE LITTLE INDEPENDENT","offers":[{"title":"LP - Black Vinyl","offer_id":45269675180344,"sku":"5016958032913","price":25.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/bjork-homogenic.jpg?v=1685080640"},{"product_id":"greta-van-fleet-starcatcher","title":"Greta Van Fleet - Starcatcher","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eGrammy-winning rock band\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eGreta\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eVan\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eFleet\u003c\/span\u003e’s much anticipated third studio album Starcatcher is set for release July 21 on Lava\/Republic Records. The album’s first single ‘Meeting The Master’ debuts this week!\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eThe band notes, “‘Meeting The Master’ peers into an esoteric world heeded by the word of a wise teacher. Sung in the voice of a devout believer, and eventual group exclamation, the song details the love these fervent followers have for their teacher and their firm belief in his vision. It’s an exotic spiritual journey. A dark comedy that inevitably ends in chaos.”\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eThe album is written and recorded by the band—lead singer Josh Kizska, guitarist Jake Kizska, bassist\/keyboardist Sam Kizska and drummer Danny Wagner—alongside Grammy-winning producer Dave Cobb (Chris Stapleton, Brandi Carlile). Recorded at the legendary RCA Studios in Nashville, the band utilized the large recording room to capture the pure energy of their world-renowned live performances.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003e“We didn’t really have to force or be intense about writing, because everything that happened was very instinctual,” Jake says. “If anything, the record is our perspective, and sums up where we are as a group and individually as musicians.”\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eThroughout the ten-song collection the band explores the duality of fantasy versus reality and the contrast between light and darkness. “We had this idea that we wanted to tell these stories to build a universe,” says Wagner. “We wanted to introduce characters and motifs and these ideas that would come about here and there throughout our careers through this world.”\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eThe band took multiple concepts from critically acclaimed second album The Battle at Garden’s Gate and brought them into Starcatcher, although Sam’s take on the new record’s big ideas hint instead at new beginnings. “When I imagine the world of Starcatcher, I think of the cosmos,” he says. “It makes me ask a lot of questions, like ‘Where did we come from?’ or ‘What are we doing here?’ But it’s also questions like, ‘What is this consciousness that we have, and where did it come from?’”\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eThe band are best known for their renowned live performances, selling over one million tickets worldwide. They sold out their entire 2022 arena tour, holding a special energy between them and their devoted fans. With Starcatcher the band aims to capture that energy in the recording studio.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eMost recently, the band performed at the inaugural Lollapalooza Mumbai and completed an extensive U.S. arena tour in March.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eGreta\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eVan\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eFleet\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereturn to the road next month for previously announced festival shows in Atlanta and Memphis, with further shows to come.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eStarcatcher follows their album The Battle at Garden’s Gate, released in 2021 to extensive chart and critical success. In the US, the album debuted at #1 Billboard Rock Album, #1 Billboard Hard Rock Album, #1 Billboard Vinyl Album, #2 Billboard Top Album Sales and in the Top 10 on the Billboard 200. It was a Top 10 album in the UK and a major hit around the world.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003e\u003cspan class=\"il\"\u003eGreta\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eVan\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eFleet\u003c\/span\u003e’s debut LP, Anthem of the Peaceful Army was released in 2018 to countless accolades including #1 Billboard Rock Album and Top 3 on the Billboard 200. Their From The Fires EP, released in 2017, won Best Rock Album at the 61st Grammy Awards.\u003cu\u003e\u003c\/u\u003e\u003cu\u003e\u003c\/u\u003e\u003c\/p\u003e\n\u003cp class=\"m_-8615516420908269911xxwordsection1\"\u003eForming in Frankenmuth, Michigan in 2012,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eGreta\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eVan\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"il\"\u003eFleet\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003econsists of three brothers—vocalist Josh Kiszka, guitarist Jake Kiszka and bassist\/keyboardist Sam Kiszka—as well as drummer Danny Wagner. Together they have performed across multiple continents and sold over 3.5 million records worldwide.\u003c\/p\u003e","brand":"EMI","offers":[{"title":"LP - Coloured Vinyl","offer_id":45313814561080,"sku":"0602455640987","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/GVF-Starcatcher.jpg?v=1685611097"},{"product_id":"gaz-coombes-turn-the-car-around","title":"Gaz Coombes - Turn the Car Around","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\"\u003ci\u003eTurn The Car Around\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a record that I’ve been building up to for the last seven years,” says Coombes. It’s a record of feeling, an album that captures the ups and downs of modern life and all the small print in between. Written and recorded by Coombes in his gloriously ramshackle Oxfordshire outhouse Studio, he has emerged with the best work of his illustrious career. It’s an album that both taps into the sonic palettes and lyrical themes of its predecessors and marks the third and final part of a trilogy of records alongside 2015’s Mercury and Ivor Novello nominated sophomore album Matador and 2018’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWorld’s Strongest Man.\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAt the same time it carves a bold new way forward for one of the UK’s most gifted and cherished singer-songwriters. “There’s a lot of subject matter in there that I’ve played with and maybe not managed to see through in the past. I’ve evolved and I feel like I’ve got better at what I do”.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eTurn The Car Around\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003efeatures additional instrumentation from members of Gaz’s live band, Garo Nahoulakian, Nick Fowler and Piney Gir. The album also sees Coombes reuniting with his live band’s vocal trio ‘The Roxys’ (a nickname given to them by Nile Rodgers when they shared the bill at a Later with Jools show) to create a rich and nuanced sonic tapestry. Cameo performances appear courtesy of Willie J Healey and Ride’s Loz Colbert, and Coombes shares co-production duties with long-term collaborator Ian Davenport. As he celebrates 10 years of his lauded solo career since the release of his debut\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eHere Come The Bombs\u003c\/i\u003e, and riding a crest of the Supergrass reunion, the release of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTurn The Car Around\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003esolidifies Coombes status as one of the UK’s most interesting, enduring and effortlessly classy artists.\u003c\/p\u003e","brand":"Virgin Music","offers":[{"title":"LP - Black Vinyl","offer_id":45315577381176,"sku":"00602445955343","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/gaz-coombes-turn-the-car-around.jpg?v=1685632391"},{"product_id":"ben-howard-is-it","title":"Ben Howard - Is It?","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBen Howard’s fifth studio album\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIs It?\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis released via Island Records.\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIs It?\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a lush, sonically splintered album which captures Howard working through moments of seismic shift. The album has been produced by Bullion, and there are colourful, leftfield production choices throughout, typical of the producer.\u003c\/p\u003e\n\u003cp\u003eComprised of 10 songs,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eIs It?\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis an album which represents a further creative evolution from an artist known for never repeating himself throughout his already-storied career.\u003c\/p\u003e","brand":"Island Records","offers":[{"title":"Compact Disc","offer_id":45320215855416,"sku":"00602455229670","price":8.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/ben-howard-is-it.jpg?v=1685692110"},{"product_id":"paul-weller-fat-pop-picture-disc","title":"Paul Weller - Fat Pop Picture Disc","description":"\u003cp\u003eLimited Edition picture disc in clear plastic sleeve from the Modfather, Paul Weller.\u003c\/p\u003e\n\u003cp\u003eBlue image on side 1 and green image on side 2.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Polydor","offers":[{"title":"LP - Picture Disc","offer_id":45361182671160,"sku":"602435566290","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/paul-weller-fat-pop-1.jpg?v=1686226313"},{"product_id":"elbow-build-a-rocket-boys","title":"Elbow - Build a Rocket Boys","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFollowing the immense success of the double platinum selling 'The Seldom Seen Kid', Elbow return with 'Build a Rocket Boys!' and are set to continue one of the most intriguing and heart warming stories in British music. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlways one of the uk's most loved and influential bands, 'the seldom seen kid' saw elbow become one of its most successful, winning the mercury music prize album of the year in 2008 with the band being voted best British band at the Brits in 2009. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe band also picked up an NME award, a south bank show prize for best album and the mojo best track award for 'one day like this' which also garnered an Ivor Novello alongside a second Ivor for 'grounds for divorce'. 'build a rocket boys!' is one of the most highly anticipated released of 2011 and features guest contributions from the halle youth choir, retaining elbow's strong links with both their home town and the halle itself, with whom they collaborated on a very special show at manchester's bridgewater hall in 2009.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGatefold sleeve, 2 discs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Polydor","offers":[{"title":"LP - 2 x Black Vinyl","offer_id":45362929205560,"sku":"602527637471","price":14.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0764\/5803\/3464\/files\/elbow-build-a-rocket-boys.jpg?v=1686239862"}],"url":"https:\/\/www.deadsearecords.co.uk\/collections\/alt-indie.oembed?page=12","provider":"Dead Sea Records","version":"1.0","type":"link"}