Black Josh continues to carve out his own lane with YSL Bootleg, a project that encapsulates his unique presence in underground rap while setting its sights far beyond any imposed labels.

This is a release built on the foundations of collaboration and a genuine community of music makers - his years spent with Levelz, the legendary Manchester-based collective that blurred the lines between rap, grime, and rave culture, shaping a generation of artists, and Cult of The Damned, a crew of rappers who raised him, cultivating an audience that has seen him regularly pack venues and tour the UK, AUS and NZ.

The project captures Josh’s signature blend of sharp wit, undeniable Mancunian cadence, and layered references that land harder for those from the North West.

It’s the next step for an independent artist who has never signed a record deal yet has amassed millions of streams across tracks like "Paul Scholes," "Own Ting" (featuring Eliza and Jesse James Solomon), and the Skepta-produced, "Cigaweed."

This is the first full-length project Josh has released since supporting Danny Brown on tour, an opportunity that saw him sharpen his already unruly stage presence under the mentorship of one of rap’s most unpredictable voices.

Their pairing made perfect sense—two outspoken, off-kilter artists with a mutual disregard for convention. That energy is embedded in YSL Bootleg.

The project includes "Council Pop" featuring Sly Moon, a track that has been doing the rounds since its release last year. "Garfield" (track 8), incorporates a genuine jazz breakdown—an unexpected but fitting evolution from the days of sweaty, beer-stained basement shows that were a rite of passage for a young Black Josh.

The production across the tape reflects Josh’s versatility, with tracks produced by Blah mastermind Lee Scott and longtime collaborator Sumgii.

With YSL Bootleg, Black Josh once again proves that his music is on his own terms—crafted with his peers, rooted in Manchester but designed to travel far beyond.